This year’s best picture category has some incredible films – seriously, this is such a strong year. I’ve been doing this for a long time; seeing every film nominated for best picture, reviewing them and then ranking them, and 2018 is the year in which I have had the most difficulty trying to rank the films (I’ve reordered my list over a dozen times; never feeling fully confident in my ranking of them). I could easily and happily give six of the films on this list the top spot. They all in different ways and for different reasons deserve the number 1 spot. So, it has been really challenging for me to try to figure out an order that saw nearly every film landing in the right spot on the list.
I think I’ve finally done it… I think I’m now comfortable with where each film has landed on the list. But I know that because of how good so many of these films are, that many people will ultimately disagree with my ranking. I want you to know that it pains me to have to give some of these films lower rankings – but what would be the point in listing them if I was just going to give most of them the top spot. So, let’s get past this rambling section where I try to justify my ranking, and get on with the reason you clicked on this piece in the first place. Here is my ranking of the best picture nominations. Read more
Lady Bird, written and directed by Greta Gerwig, is wonderful and moving in its simplicity. There’s something so real and so magnetic about this film. It’s eclectic and charming selection of characters pull you in; it’s simple, yet engaging little story charms you, and everything has an air of purity to it that makes it utterly enjoyable. It offered a host of emotions to dance between and it left me with a smile on my face by the end. This is a review I’m going to enjoy writing, because there’s nothing better than getting to gush about a film that sidles its way into your heart. So, let’s get to it. Read more
Hostiles, written and directed by Scott Cooper, offers a solemn, introspective look at a transitional point in American history. Not only was America changing; shifting towards a new way of life, but the people who had been moulded by the old ways, also had to change, or be left behind. Taking on damaged, seemingly irredeemable individuals, the film takes us on a journey that is meaningful and full of hardships – all in the hopes of finding a way to heal. This might be Scott Cooper’s best work to date and I’m eager to talk in detail about this incredible film he’s created. On with the review. Read more
It’s one of my favourite times of the year for films and one of my favourite pieces to write for my blog; this is all about remembering and praising some of the films that made some sort of impact on me throughout the year. It’s one of my favourite things to do: talk about films, and more importantly, talk about the aspects I loved about those films.
This isn’t a ‘Top 10 list’ (especially because I’m talking about more than 10 films this year – a first for me), nor am I saying these are the best films of the year. I’m simply pointing out the film that in one way or another, mattered to me and made some sort of impact. Whether it was in the moment of watching them or it was the effect they had on the old memory box, this is all about films that stood out to me and mattered to me.
Before I start, I’ll lay out some of the conditions: These are all films released in the UK, between January 1st and December 31st. They are also in no particular order, so one isn’t superior to another. This is all about talking about good films and perhaps making you aware of little gems you may have missed, or simply praising a film that despite being well-known is still deserving of being talked about. I will also be talking about my personal ‘Film of the Year’ in this piece as well, so look out for that.
But let’s bring this waffling to an end – enough of the ramblings – let’s get to the reason why you clicked onto this in the first place: ‘The Films That Stood Out to Me in 2017’: Read more
Call Me by Your Name, directed by Luca Guadagnino, was a film where I lavished in all the beautiful joy that it had to offer. Whether it was the serene, welcoming surroundings of northern Italy, the vibrantly interesting characters that filled every scene, or simply the pleasant, freeing atmosphere that coursed through the film – I was completely enveloped in everything this film was. This is one of those reviews that I’m excited to write, because I know it will bring me the same amount of enjoyment that watching the film did – it’s like experiencing it all over again. Read more