Review – Molly’s Game

Molly’s Game, written and directed by Aaron Sorkin, feels like a film that continually jingling a set of shiny keys directly in front of your face; sure, it grabs your attention, but it soon becomes irritating, and then insufferable. The film’s premise is interesting, at first, and it offers the usual characteristics that you’ve come accustom to, when it comes to Sorkin-esque characters, but as it went on and it continued to be exactly what I expected it to be, the more tedious and uninteresting I found it to be. There were certainly elements to this film that I enjoyed, and I am a fan of Sorkin’s style and his previous work, but there was something about this film (his directorial debut) that I found myself unable to like. Let’s explore what Molly’s Game has to offer and see if it’s something you might enjoy. Read more

Review – Detroit

Detroit, directed by Kathryn Bigelow, struggles at times with its pacing and it also feels like it stretches its focus too thin. It does make it difficult at first to find the rhythm of the film, but once it gets to its primary focus, Bigelow is able to deliver an intense, gripping experience. But, does the films problems in pacing rob it of its power? Does the film not fully accomplish what it wants to do? I want to explore those questions and more in my review of Detroit, so let’s get to it. Read more

Review – The Big Short

The Big Short

The Big Short, directed by Adam McKay is a film that seems hell bent on getting in its own way and making it almost impossible to deliver a story that is tolerable to sit thorough. So much of the film is unnecessarily gaudy and intrusive. More than delivering what is an interesting point in our history – The Big Short is intent on trying to show off just how clever and different it is… it doesn’t, it just fails. Read more