The Old Man & the Gun, written and directed by David Lowery, is a devilishly charming film in which you’ll willingly and effortlessly fall in love with its characters, and eagerly get lost in its simple but endearing story. It could be argued that the film meanders along; it’s not exactly the most thrilling experience for a general audience, which I’ll explore in my review, but there’s something that’s just lovely about this film, and I’m looking forward to writing my review of it… so let’s get to it. Read more
It’s one of my favourite times of the year for films and one of my favourite pieces to write for my blog; this is all about remembering and praising some of the films that made some sort of impact on me throughout the year. It’s one of my favourite things to do: talk about films, and more importantly, talk about the aspects I loved about those films.
This isn’t a ‘Top 10 list’ (especially because I’m talking about more than 10 films this year – a first for me), nor am I saying these are the best films of the year. I’m simply pointing out the film that in one way or another, mattered to me and made some sort of impact. Whether it was in the moment of watching them or it was the effect they had on the old memory box, this is all about films that stood out to me and mattered to me.
Before I start, I’ll lay out some of the conditions: These are all films released in the UK, between January 1st and December 31st. They are also in no particular order, so one isn’t superior to another. This is all about talking about good films and perhaps making you aware of little gems you may have missed, or simply praising a film that despite being well-known is still deserving of being talked about. I will also be talking about my personal ‘Film of the Year’ in this piece as well, so look out for that.
But let’s bring this waffling to an end – enough of the ramblings – let’s get to the reason why you clicked onto this in the first place: ‘The Films That Stood Out to Me in 2017’: Read more
A Ghost Story, written and directed by David Lowery, feels almost like a test – a test of the audience’s patience, a test of their commitment, and a test of their willingness to accept what they are watching. From my time with the film, quite a few of the people in the audience struggled to overcome those tests (which is understandable). This is a film where you need to be willing to let the film tell its story how it wants too. It doesn’t play by the rules in any way and that can make for an experience that feels difficult to interact with. But what exactly is it about this film that might make it so challenging for audiences? Well, let’s explore that and more through this review.